The Point of Sale (POS) collection is one of the biggest and most historically significant collections held by the Alfred Gillett Trust. Not only it is one of the largest collections of its kind in the UK, but one of the most complete. With objects ranging from 1851 to the present day, with only minor gaps, it visually tells the story of the rise of C & J Clark Ltd. from a local company selling wool lined slippers to one of the most competitive footwear companies in the world.
The digitisation project aims to create a searchable visual database of the collection. In order to do this, the POS must be cleaned, have its record updated on our museum database, be condition checked, photographed, repackaged into archival and museum standard packaging to minimise degradation, and finally stored in our custom-built archive storage facility.
As a volunteer on this project, not only will you get to see a stunning visual history of the company, but be part of an exciting project that gives you a behind the scenes look at how the heritage sector works. Working with original objects, you will be trained onsite in handling, cleaning, and use of the database by the Project Manager.
Pat Keeler, a current volunteer says, “With a passion for art, I find it incredibly visually stimulating and am interested in the historical nature of the items.”
If you can give a minimum of 7 hours Monday-Friday, are interested in advertising and marketing, have a keen eye for detail and have ICT skills, please get in touch with Project Manage, Karina.
Download the role description here.
By Karina Virahsawmy, Project Manager/Assistant Curator, Alfred Gillett Trust
The Alfred Gillett Trust, a heritage charity based in Street, held a very successful 4-day celebration in honour of International Women’s Day on 8 March. Over 4 days, the Trust welcomed over 520 visitors to enjoy a range of free exhibitions, performances and activities to mark the 100-year-old global event aimed at celebrating the social, economic, cultural and political achievements of women.
The Alfred Gillett Trust is a heritage charity which preserves and promotes the cultural heritage of shoemaking, and cares for the historic collections of C & J Clark Ltd., and the Clark family which established the global shoemaking company. At the event, the archives were opened up to visitors, which highlighted the stories of six remarkable Street women who have influenced the pursuit for gender equality through their roles in the suffrage movement, the shoemaking industry and medicine.
Annie Clark for example, qualified as a doctor in 1878 at a time when women struggled to receive a higher education. Florrie Bond worked as a foreman in the Trimming Room at Clarks until her retirement in 1946, and Hilda Clark undertook important relief work during and after WWI, which included setting up a Maternity Hospital for refugees in France.
The Trust brought together local artists, women’s groups and performers to explore the role of women in today’s society and prompt all visitors to reflect on their own experiences and beliefs. This included a large-scale sound and light installation by Elena Hutchcroft and Karolina Nieduza, a photographic exhibition of Navajo grandmothers by Joseph Hunwick and a moving mixed-media installation by Charlotte Humpston reflecting on a mothers’ grief at losing her daughter.
On International Women’s Day, itself, the historic Grange came alive with the captivating voices of local choirs and performers, the Lonesome Doves, the Avalonian Free State Choir, Lily Anne and Leela Bunce. The final day of the exhibition saw a performance by Street Sings Choir and the Trust welcomed the Street Society who were serving refreshments and cakes.
The Trust would like to extend thanks to all the performers, artists and volunteers involved with the event, without whom the event would not have been the success it was.
The Trust will be hosting a regular series of FREE talks, seminars and workshops at the Grange over the coming year which will focus on the achievements and beliefs of some truly inspirational local women. The first talk by Kathy Jones, the Priestess of the Goddess, will be on Thursday 6 April on “Feminism, Goddess Spirituality and Motherworld”. Reserve your free place here.
We are re-branding, with an innovative competition, which is aimed at providing local young people with an exciting opportunity for career development and cultivating network skills.
The competition is open to 17-26 year olds who are not currently paid marketing/design professionals and will see the winner designing a new brand direction for the charity. The winner will receive £250 and see their design form the basis of the Charity’s future branding for the next 5 years.
The winner will be announced at a special presentation evening in the Autumn, where the shortlisted entrants will be have the opportunity to showcase their work and network with art, design and marketing professionals.
The competition brief can be downloaded BRAND DESIGN COMPETITION BRIEF V3. We also held two information evenings on Tuesday 26th and Thursday 28th July, which provided further information and guidance which can also be downloaded THE ALFRED GILLETT TRUST.pptx version 2
If you would like any further information or guidance please contact Sam Bradley at The Alfred Gillett Trust at email@example.com or on 01458 444060.
The closing date for entries is 5pm on Friday 2nd September 2016.
Whilst cataloguing and numbering the Point of Sale collection, I’ve come across many interesting things: symbols used as illustrators’ signatures, famous actresses and photographers collaborating with Clarks, plus angry starfish and dancing crocodiles.
The angry starfish and dancing crocodiles we’ll come to another time, but the fun part of not knowing too much about graphic designers, illustrators, and artists from the 1910s to the 1950s, is the research I get to do to find out more about them. It’s important to understand these collaborators holistically to contextualise their relationship with Clarks. This can help us to try and work out how the Company made decisions about working with these designers, illustrators and artists.
So I had to take off my Documentation Beret and pop on my Detective’s Fedora, which has gotten more use whilst working here, and do a little investigating. Unfortunately with Google and Wikipedia being so easily accessible and increasingly accurate, there are sometimes very few opportunities to do a bit of proper sleuthing, so I was quite excited when I came across Andrew Johnson and Henry Kay Henrion.
This month we said Goodbye to our Head of Collections, Charlotte Berry, who left the Trust to return to her hometown and take up the exciting role of Archivist at Hereford Cathedral.
Charlotte has worked for the Alfred Gillett Trust for five years and has achieved a great deal in this time. She was instrumental in moving the archive from its cramped home to a new purpose-built facility and growing the team from 3 to 12.
If you grew up in the 1980s and 90s, you undoubtedly know of ‘Athena’ and the posters they were renowned for. A recent article by The Guardian online came up with the 10 best posters from the time they were around. I was excited to see that one of the posters was by an illustrator who had worked for Clarks. He had worked on the advertising that was to be seen in every Clarks shop of its time; Syd Brak.
Syd Brak studied at Johannesburg Art School, South Africa, before entering the world of advertising as an Art Director for J Walter Thompson and McCann Erikson. He emigrated to the UK in the 1970s to pursue a career in illustration.
The Archive often deals with enquiries about foot measuring at Clarks and a new initiative has just been launched by the company which builds on its long heritage of foot fitting. An article on the BBC News website shows how iPads have been adapted for foot fitting and shows several examples of gauges from our collection.
This project has been running at Clarks for some time and the Archive has been donated examples of the prototypes for the permanent collection.
Can you help with a mystery which has been bugging the Trust staff for some time? We have a large collection of photographs relating to the Clark and related families in Street, Somerset. Several of the young girls in the family wore their hair very short in late 19th century, and we have always been curious as to finding a reason. The Trust staff haven’t come across this in any other photographs from the period on their travels through other family archives of a similar timeframe.
There may have been some medical grounds for this, since Helen Priestman Bright Clark’s family had a history of TB. Helen was generally very protective on the health front for her children, moving the family home from the factory to a new house on the outskirts of the village (now Millfield School of sporting prowess).
There is a good example of short hair for the girls in the family in this photograph (mid 1880s). Two of the group suffered from TB, one dying of it fairly soon afterwards as a teenager (Pollie Morland) and one suffering from it at various points in her life (Alice Clark).
The photograph shows Helen Clark’s four daughters. Esther (born 1873) is the eldest and is presumably growing her hair out (shoulder length, second from left in back row). The three younger Clark sisters, Alice (back row furthest right), Margaret and Hilda (seated, third and fourth from left), all have short hair, along with their Morland cousin Eleanor/Nelly. Pollie Morland (standing, furthest left, born 1872) also has bobbed hair. Alice in particular (born 1874) wore very short hair even as an adult, which seems unusual during the late Victorian/Edwardian era. Age doesn’t necessarily seem to dictate this, since Esther and Alice are just one year apart.
Does anyone know of other instances of this, or could anyone point Trust staff in the direction of a hairstyle expert who could give us some further ideas for research? Please email the Trust with suggestions – we’d love to hear from you!
The World’s Most Travelled Shoe: Celebrating 65 Years of the Desert Boot
10 April – 31 October 2015
Come with us on a journey from Cairo to Burma to Chicago and Jamaica, across Death Valley in California, to 1960s Paris, and Weston-Super-Mare!
Clarks has sold more than 10million pairs of Desert Boots in over 100 countries and the boot rightly deserves its place as one of The 50 Shoes that Changed the World as well as its title of the World’s Most Travelled Shoe.
Our Research Archivist Tim Crumplin was recently interviewed for the Clarks Originals website and gave a guided tour of our facilities and collections.
He explores everything from the importance of archives and the significance of the iconic Desert Boot, to the future aspirations of the Trust.
Read the interview here.