Over the last week we documented, cleaned, photographed and repacked over 60 shoes for the Shoe Digitisation Project. These were mostly women’s shoes dating from the 1950s and 1960s. Here’s a small selection of the ones which caught our eye! Click on the images to see the full slideshow.
The Shoe Digitisation Project has just passed a massive milestone; we have now taken over 100,000 images of shoes! Since 2014, a dedicated team of professionals have been working on the project to clean, document, repackage and photograph our historic shoe collection. We now have a photographic record of over 7,000 shoes predating 1979, and […]
The Point of Sale (POS) collection is one of the biggest and most historically significant collections held by the Alfred Gillett Trust. Not only it is one of the largest collections of its kind in the UK, but one of the most complete. With objects ranging from 1851 to the present day, with only minor […]
The Teenagers range was a true reflection of Clarks capitalising on a period of dramatic social change reflected by the evolution of the ‘teenager’ into mainstream society. The range itself, aimed specifically at girls, has its roots in the Craftsewn range. The term ‘Teenagers’ made its first appearance in the April 1948 trade and price […]
If you grew up in the 1980s and 90s, you undoubtedly know of ‘Athena’ and the posters they were renowned for. A recent article by The Guardian online came up with the 10 best posters from the time they were around. I was excited to see that one of the posters was by an illustrator […]
Hardy Amies first gained recognition in the fashion business designing women’s clothes. He started training in the 1930s before starting his own business in 1945 and being appointed Dressmaker to H.M. Queen Elizabeth. He was eventually appointed as Design Consultant to the Men’s Division of Clarks in 1962, collaborating with Hugh Brooking Clark. Hugh believed […]
These ‘Duskdawn’ shoes were made in 1957, and are from the Skyline collection. This image exemplifies the inevitable consequence of displaying our collection in a museum case. Whilst the shoe on the right hand side has been held in a box away from any light, the shoe on the left has been on display in the museum, and has consequently sustained damage from the light used to illuminate […]